Weeknote, 24th April 2022

A brief note this week: we have only just got back from Oxford so there’s not much time to write.
We were in Oxford in part to see Jesse Darling: No Medals No Ribbons at Modern Art Oxford. It’s on for another week, and if you’re in the area I’d really recommend it. Darling’s work is playful, but also fragile, beautiful and sometimes uncomfortable too. Gravity Road, the biggest piece which dominates an entire room, has notes of flight, escape and roller coasters.


A Psalm for the Wild-Built, by Becky Chambers. The fact that I read this in less than a day tells you two things: One, it’s short; Two, it’s an absolutely fantastic book. I’ll have more to write about it in due course once I’ve sat on it but this is a story which is filled with delight and wonder and optimism and it’s probably exactly what you need to read right now.


Dune again. It’s probably sacrilege to say that Villeneuve has created something that easily exceeds its source material but he has with this. There’s hardly a frame in it which isn’t some large degree towards perfection. And boy are there some good battles.

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